Imani is the tiniest girl in her village. The children tease her and tell she'll never amount to anything. But Imani's mother tells her stories about characters in Maasai mythology who accomplish impossible things. Imani begins to believe she can accomplish something great.
Thanks for stopping by to catch this interview with Hazel Mitchell,
illustrator of IMANI’S MOON by Janay Brown-Wood, a
Welcome, Hazel! I’m delighted to host one of the blog tour stops for your stunning new book. Charlesbridge/Mackinac Island has generously provided a copy of Imani’s Moon for a Giveaway! Readers can post a comment below to be entered in the drawing for a signed copy.
Hazel and Toby |
I first “met’ you
when I purchased Daniel Stefanski’s How to Talk to an Autistic Kid. You
illustrated this terrific book that helps readers understand what’s going
through the mind of a young person who is on the autistic spectrum. You’ve been
very busy since that project, so thanks for stopping here to talk about your
latest book, Imani’s Moon, written by JaNay Brown-Wood and just released
this month.
Joyce Ray: We
hear a lot about an illustrator wanting to absolutely love a story because
he/she will be working on the project for a long time. What aspects of Imani’s
Moon captured your imagination? How long was this project in development?
Hazel Mitchell:
There were things that immediately appealed to me about Imani’s Moon. I
love the fact it’s set in Africa and on the moon! Two completely different
environments - challenging to draw. I also love the folktale and fantastical
elements of the story. So there was no
doubt I would say yes. There were challenges – this was the first time I’d
illustrated an African child and the Maasai, in particular, are such an elegant
shape. Plus all the cultural specifics to get right! I didn’t have an enormous
amount of time to work on the book. I think it was 4 months total.
JR: Imani is
definitely a little peanut of a girl, and the story revolves around her small
size and her ability to dream big. I love her winsome, dreamy expression. What
resources can an artist draw on (pardon the pun) to deliver an expression that
is just right for a character?
HM: Hmm. Good
question. Firstly, one can draw on yourself and your own experiences of being
in situations as a child. How did you feel if you were teased? Different? Had a
big dream? I spent a good deal of time looking at photos of Maasai children.
The girls and boys are pretty indistinguishable at a young age. Their hair is
mostly shaven. They are so cute, though! So, when you start to draw, a
character usually starts to come through. I liked Imani’s impishness. She’s a
very determined character. I tried to walk a thin line between realistic
features and cartoony. Not easy, I can tell you. I hope it has worked!
JR: I’m very
interested in the challenges of illustrating a story outside of one’s own
culture. Will you talk about the challenges presented by this project? What
avenues were open to you for research?
HM: Yes, this was
a challenge, as I said before. Totally outside my realm and I’ve never been to
Africa. But then, all books usually take you out of your comfort zone somehow
and that’s the fun of it. We’re lucky these days to have the resources of the
internet. You could research forever! I think really immersing yourself in
looking at everything you can is the only way to go. Online photo searches are
probably the best to explore the world of another culture if you can’t go
there. I use Bing, Google, Pinterest, Flickr. I visited websites about Maasai
and African culture; researched snakes, owls, chimpanzees in Africa.
I spent a
lot of time looking at the layout and different houses in Maasai villages. And
trees and undergrowth that Imani might see! I went to the library and found
books and read more on Maasai heritage, much more than I needed to know, but it
gave me a good grounding. The clothing and jewelry are also very specific. My
friend’s son had lived with a Maasai tribe, so I was able to wrap myself in a
Maasai blanket and hold a spear! I have to say the images with the moon were
much easier to imagine! I wish I’d had the time and resources to visit a Maasai
tribe … maybe one day!
JR: How does a
project influence your choice of medium or technique? Can you share your
process for deciding which artist’s tools will allow you to create the look
you’re seeking?
HM: It’s a hard
one to answer. I just kind of feel it when I read the manuscript. I felt a
folktale like this needed lots of rich colour and detail - Africa, the moon,
the colours of the Maasai clothing. It shrieked texture and depth. Also the
skin colour of the Maasai is very rich. I knew I wanted to use more watecolour
technique than in my other books, with a looser line and couple these with
digital colouring. The underpaintings for the spreads are all produced in
monochrome (blue) wash and pencil, with the colour laid over in Photoshop, a
technique I love. This text deserved detail to match the story.
JR: Are there
artists or illustrators who have been major influences as you have evolved as
an artist?
HM: Many. Too
many! I love English artists (being English!) The Pre-Rapaelite’s,
Impressionists, Victorian painters. Turner, Whistler, all those. I love to look
at old Victorian lithographs and woodcuts and the magazines of the pre-war with
fabulous linework! As an illustrator I find I am influenced by Edward
Ardizzone, Quentin Blake, EH Shepherd, Pauline Baynes, David Small, Eric
Rohmann, Ralph Steadman, Arthur Rackham, Brian Floca, Garth Williams, Melissa
Sweet, Loren Long, Marla Frazee … shall we stop there?
JR: How does
living in Maine feed your artistic spirit? This is a loaded question since I
was born and raised in Maine!
HM: Maine is a
beautiful state and has a great tradition of writers and illustrators living
and working here. It’s great to be part of that tradition. It’s peaceful and
diverse and I wouldn’t live anywhere else! OK, maybe England.
JR: I read in
another interview that you plan to write and illustrate your own books at some
point. Do you have any in the works and can we expect to welcome a book
authored by Hazel Mitchell in the near future?
HM: It’s
happened! I have a new book coming out with Candlewick in fall 2016, working
with the amazing editor Liz Bicknell. It’s called TOBY and is about an adopted
poodle (based on my real dog, Toby who is a rescue) and his relationship with a
young boy who adopts him. I am so excited this project is happening, and
Candlewick is a fabulous house to work with.
JR: Congratulations!
Can you give us a sneak peek into one of your next projects?
Illustration from ANIMALLY |
HM: Right now I have three books coming out in 2015. One of these is Animally with Kane Miller by Lynn Sutton. It’s a fun rhymer about all kinds of different animals. Here’s a sneak peek at one of the illustrations.
Thanks, Hazel for sharing your artistic process with us. Best wishes for a successful launch of Imani's Moon!
Don't forget to leave a comment to be entered into the drawing for this beautiful book about a girl who believed. In one week, on November 7, I'll place the names in a hat and draw the winner. Good luck!
BIO
Hazel Mitchell is
originally from England and now lives and works in Maine. When she wasn't
riding horses as a youngster, she was drawing them. After attending art college
in the UK, she spent several years in the Royal Navy and then worked as a
graphic designer. Now she's doing what she always dreamed of - creating books
for children. Her latest titles include Imani's Moon, One Word Pearl and 1,2,3 by the Sea. Her first book as both author and illustrator, TOBY, will
be published in 2016 by Candlewick Press. Her work has been recognized
by Bank Street's Best of Children's Books, Society of Illustrator's
of Los Angeles, Foreword Reviews and Learning Magazine. She is represented by
Ginger Knowlton of Curtis Brown, NYC.
See more of her work at
www.hazelmitchell.com
www.hazelmitchell.blogspot.com
www.lookbackincandour.wordpress.com
Tweet@hazelgmitchell
FB - HazelMitchellBooks
FB - MeetToby
Pinterest - Hazelmitchell
What a lovely & inspiring book! Thanks for sharing your journey!
ReplyDeleteThanks so much!
DeleteGreat interview, Joyce. I especially liked the question about illustrating outside your own culture. It looks like a delightful book, Hazel. Congratulations. The illustrations are captivating. Definitely on my need to read list now! Thank you both.
ReplyDeleteThanks so much Rebecca, glad you enjoyed it!
DeleteWonderful interview! Looking forward to reading Imani's Moon to my wee grandson, Bryn, who is also a peanut. Beautiful illustrations. Can't wait to see Ms. Mitchell's upcoming books!
ReplyDeleteHope he enjoys!
DeleteGreat Interview! Very inspiring. I love multicultural books and am trying to write one. The cover of this book is amazing. Well done you too.
ReplyDeleteThank you so much, Rita!
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DeleteHi Joyce and Hazel. Lovely interview, especially enjoyed the sneak peek pics from Imani's Moon. Darling.
ReplyDeleteThanks Nancy!
DeleteThe amount of research that you conducted for the illustrations really shines through Hazel! I loved learning that you got to hold a spear and wear a Maasai blanket!
ReplyDeleteThank you Cathy :-)
DeleteWonderful interview, Joyce! I am a huge fan of Hazel's work.
ReplyDeleteHugs to you, Betsy!
DeleteCongratulations, Hazel! I loved hearing about your process. Imani has such personality!
ReplyDeleteGreat interview, Joyce and Hazel, and the book looks beautiful. Imani is dear. I like Hazel's comment that all books take us out of our comfort zones, and what fun that is. I agree! We go places we never dreamed we would. I don't illustrate, but my writing is always an adventure!
ReplyDeleteThank you to all who commented on my interview with Hazel Mitchell, illustrator of IMANI'S MOON. Congratulations to Rita Borg whose name was drawn this morning! Rita, I'll be sending your book out soon. I know you will enjoy it, and best wishes for your own work-in-progress.
ReplyDeleteLoved reading this interview, Joyce. Looking forward to purchasing this book. Thanks!
ReplyDeleteThanks for commenting!
DeleteThanks for such a terrific interview. As an aspiring author/illustrator, I found your questions and Ms. Mitchell's answers insightful and in depth. Thanks for the inspiration!
ReplyDeleteThank you, Priscilla, for your comment. I also find it helpful and inspiring to learn of other writers' and artists' processes.
Delete